Blog culled from Mightyafrican.blogspot.com
Ever since my brother sent me that text saying 'A Sting In a Tale' was a bomb, I had been waiting to see it myself. On the second day of my latest Ghana trip, I saw the movie being sold on the streets of Accra. I was caught in two minds. The movie was premiered in November and VCD copies are already being sold? Well, I really want to see this movie, so it's great that now I could buy a copy. A lot of movies were being sold by different hawkers, in fact those selling ASIAT were everywhere. A few other interesting movies were being sold too. If you doubted whether making movies in Ghana was a 'bad' business, doubt no more. It still may be a home video business, but it pays. For some, it pays handsomely. There are a few things that have to be checked to sustain the industry so it doesn't enter the doldrums again in the near future.
Take Agya Koo for instance. He appeared on the scene a few years ago and is one of the biggest movie stars in Ghana. Do a quick search of Agya Koo on Youtube and you'll see how popular he is. Ghanaian movies have proliferated through different websites and have developed strong followings amongst Ghanaian communities abroad. I hear that before Agya Koo signs on to do any movie, he's paid 3000 Ghanaian Cedis (GhC) upfront, which is about $2100. Sounds like a small amount, but he's only on set for about 3-4 days. Yes, $2100 for 4 days of work. In Ogyakrom (or sikakrom). In Ghana. After the movie is done, he pockets another 1000 GhC. Agya Koo (Kofi Adu) probably appears in one or two movies per month, if you follow Ghanaian movies closely enough, you'll know it's true. Do the math.
I can't wait for Shirley Frimpong-Manso's next movie. It's been almost 5 months since Perfect Picture came out. She's not the only one making Ghanaian movies though, some of the other movie houses churn out movies as frequently as once a month. I'll like to touch on a few issues in Ghanaian movies and offer some thoughts and advice. See my previous post about the emergence of Ghanaian movies and some thoughts on working towards more excellence. I know some people don't like the idea of calling Ghana's movie industry Ghallywood or Gollywood and they have a point. Let's do something different. How about we call it Sinikrom? Oh wait, Phamous People has the 'Cinekrom' show. I am a huge fan of Phamous People, will love to see them get involved in the movie industry.
Blog culled from the MIghTy African
Last September, I wrote an article on the story of the Ghanaian movie industry which talked about its recent history as well. Since then, there have been many Ghanaian movies that have come out, some of which I've seen and the industry continues to grow. I've been in a number of good discussions about Ghanaian movies, the latest of which transpired at BarCamp Diaspora. The conversations haven't changed much but the ideas for improvements have been refined and I will be touching on a few in this entry.
Blog entry culled from MightyAfrican's Blog
Many years ago, we used to have movie cinemas in Ghana. When movies were being advertised, they will say - showing at Rex Cinema, Roxy Cinema, among others. These days we don't hear that anymore. When that guy with the loud voice is promoting the new Agya Koo movie and the new Van Vicker flick, you are directed to the same stores that distribute Ghanaian music for you to buy the latest movies. There is everything wrong with this trend, but let's go back to see how we got here in the first place.
When I was in Presec around 2001, Ghanaian movies were up and coming. We had movies like Stab in the Dark, Stab in the Dark part 2, Ripples, Diabolo, You can't laugh, Who killed Nancy, among others. Some of our major actors even joined forces with Danny Glover and Omar Epps in 'Deadly Voyage'. We were encouraged by the productions. We had movie houses like Harry Laud Productions, Miracle Films, Venus Films, among others. Ghanaian movies were lauded, they were interesting and people actually wanted to watch and buy them.
...Sounds on da ground and seens on the see-ins
When I first heard about the 'Ka wo nan to so' movie, the first thing that came to my mind was Okomfour Kwaadee's song of the same name. It warmed my heart to think that the work of hiplife artistes was making its way into the film and movie industry. Once I got to Ghana and saw the many flyers and posters for Ghanaian movies, I had to watch 'Ka wo nan to so' to satisfy my curiosity. The soundtrack was not Kwaadee's 2006 hit and I discovered something else - Agya Koo. He's not exactly the one Praye sings about in their Agya Koo song either. Meet Kofi Adu, the guy leading the surge of Ghanaian films getting back on the market.